Friday, January 8, 2010
NAMM 2010: New ESP-LTD models
LTD Deluxe
ESP is showing six new models in the LTD Deluxe line, and we have some seriously cool guitars this year. The LTD EC-1000 is being offered in 2010 with two new finishes: Silver Sunburst (SSB) and Metallic Gold (MGO). The guitars offer a comfortable single-cutaway mahogany body, and mahogany neck. The SSB model offers a 24-fret ebony fingerboard and EMG 81 (bridge) and EMG 60 (neck) active pickups, while the MGO model has a rosewood fingerboard and Seymour Duncan Alnico II Pro pickups.
More major updates to the LTD Deluxe line also include completely redesigned versions of the H-1001 and the new H-1001FR. The new models now incorporate ESP’s “F Series” headstock style, and the guitars’ binding is now black with abalone purfling. The new H-1001 is available in Black (BLK), as well as See-Through Black Cherry (STBC) with flamed maple top. The H-1001FR, available in See-Through Black Cherry over quilted maple, includes a Floyd Rose original style double-locking tremolo. Rounding out the updates to the LTD Deluxe line is a new finish for the MH-1000NT, now offered in See-Through Blue (STB).
LTD Standard
The latest range of new LTD Standard Series models includes the 300 Series, which all use a neck-through-body or set neck design. New models include the FX-360, the H-351NT, the H-351FR, the MH-327, and the Viper-300M. The FX-360 adds EMG active pickups and a new Padauk Brown Satin (PBS) finish. The new H-351FR, available in Black (BLK) and Snow White (SW) finishes, changes the former H-Series design to LTD’s F-Style headstock, includes a Floyd Rose Special double-locking tremolo, EMG active pickups, black pearl binding (Snow White model); white pearl binding (Black model). The LTD line also expands with the H-351NT, a guitar with setthrough construction that comes in See-Through Black Cherry (STBC) and See-Thru Black (STBLK) over its flamed maple top. It offers black binding with abalone purfling. The new Viper-300M comes in a Vintage Brown Satin (VBS) finish with black nickel hardware, rosewood fingerboard, and EMG pickups.
A special new model in the LTD Standard Line is the MH-327. This unique guitar offers 27 frets, with a neck-thru-body design. A Floyd Rose Special double-locking tremolo is included as well as Seymour Duncan Hot Rail and Custom 5 pickups w/push-pull coil tap. Two finishes are available: Black (w/ White Pearl binding) and See-Through Red (STR) w/ White binding on a flamed maple top. Both models offer a mahogany body, maple neck, and rosewood fingerboard.
A new 7-string LTD model is being added to the LTD line at Winter NAMM 2010. The MH-417 has a 25.5” scale mahogany body with a black satin finish. A maple neck, 24- fret rosewood fingerboard, Grover tuners, Earvana nut, TOM bridge with string thrubody design, and EMG active pickups complete this powerful guitar.
Supplementing the ESP line at NAMM 2010 are the new ST-203 and ST-203FR guitars. These classic-shaped models both have distressed finishes: the ST-203 offers a Three-Tone Sunburst (3TB) finish and rosewood fingerboard with three single-coil pickups, while the ST-203FR comes in Black (BLK) with maple fingerboard, as well as a Floyd Rose Special double-locking tremolo, and one humbucker and two single-coil pickups.
Also new at NAMM, the LTD EC-256, an affordable set-neck single-cutaway guitar that’s been a popular seller in the ESP line, now comes in a new Aged Vintage Gold (AVG) distressed finish. (For my review of the EC-256, CLICK HERE)
Xtone: Now Part of LTD!
We have some cool news about our Xtone line: we’ve merged these killer hollow- and semi-hollow bodied into the LTD line, so they’ll be even easier to find at ESP dealers. We also have a new model for you to salivate over: the LTD Xtone PD-1 Paramount Deluxe is a solid-body guitar that offers high-performance components such as EMG 81/60 pickups, a Set-Thru neck joint for ultimate access, a TonePros TOM bridge w/ string-thru-body design, black binding, abalone purfling, pearloid/abalone inlays, and a 24-fret neck. Three finishes are available: Black (BLK), Pearl White (PW) and See-Through Black Cherry (STBC) on a flamed maple top.
More more photos, go here!
Tuesday, December 1, 2009
NEWS: NIN auctions Gibson, ESP, PRS, Jackson guitars & more
And what about this killer 1980 Gibson E-2 Explorer, complete with chunky-ass fine tuner tailpiece?
Maybe you need a cool NIN-owned Jackson Soloist in your life? After all, Trent used Jacksons pretty extensively in the early 90s.
Speaking of Jacksons, Rhoads, anyone?
There’s also this surprisingly un-NIN Paul Reed Smith Custom 22 with Roland GK-2A hex pickup…
Or perhaps you’re more into the Les Pauls the band played and destroyed.
CLICK HERE to see these items and other NIN instruments being auctioned on eBay.
Monday, November 9, 2009
FEATURE: Megadeth's album-art guitars
Dave Mustaine
Here are a pair of Dean VMNTs with artwork from Rust In Peace and United Abominations, respectively.
Glen's tenure in Megadeth only lasted for one album and a few tours, but he sure used some cool custom-painted guitars in that time. Here we have a pair of ESPs (Countdown to Extinction and Peace Sells ...But Who's Buying graphics) and a Dean Vendetta with the United Abominations cover.
This is an off-the-shelf Ibanez S5470 with a custom hand-painted image taken from the booklet to Megadeth's new album, Endgame. Chris told the Megadeth forum this one will be re-fitted with DiMarzio pickups.
Are there any more I'm missing? Let me know if you've seen any others out there!
Thursday, October 1, 2009
REVIEW: ESP LTD EC-256 AHB

ESP has had a few goes at offering aged finishes at various price points, including the James Hetfield Iron Cross and Truckster models (the latter of which was available in ESP and LTD versions), the George Lynch’s GL-56 and, most recently, the LTD EC-256 AHB. Based on the company’s Eclipse model, this relatively inexpensive axe is of the classic twin humbucker, set neck, mahogany body variety. It’s given ESP’s own distinctive touches, of course, including subtle curving of the top (instead of all-out carving), a volume-volume-tone control layout, and a sharp cutaway which seems to say “Some of this guitar is traditional, but your grandad never would have played this back in the day.”
The first thing to look at on a guitar like this is the relicing. Does it look authentic like a real beaten up guitar that’s been mishandled or loved on stages up and down the country? Nope. The sanding marks are pretty obvious, and the tri of dings on the treble side of the lower bout look quite contrived. Some rough sanding marks on the headstock look more like scratches from an unfriendly gig bag than a few decades of knocks from a succession of feisty roadies. But that’s all somewhat beside the point, because after a few years of regular use the ‘shininess’ of these manufactured blemishes is likely to be dulled by and intermingled with real-life ones, and it will truly become the dinged up but well-loved instrument that it was designed to look like. The most important thing about the EC-256 for me was that the back of the neck felt comfortably aged and friction-free, which made for a very pleasant playing experience. It’s also worth noting that the thin finish of the top allows the sound to breathe, opening up the treble and adding a little depth to the guitar’s amplified tone.
SO LET’S PLUG IT IN
The EC-256 sounds best with mild overdrive playing relatively dark music (Tool fans take note). It doesn’t seem to want to be a high gain screamer, although the natural tone seems to work really well with lowered tunings. It's just that the guitar's natural character is best represented by more subtle distortion levels. There’s a coil split on the tone control which extends the guitar’s personality and adds versatility while maintaining the guitar’s own character. Again, the neck pickup in single coil mode doesn’t really like to be distorted: it’s more at home with some light bluesy overdrive. If you dig the visual vibe and the way it plays but you need gutsier tones, a pickup upgrade might be in order.
THE BOTTOM LINE
Despite the aggressiveness of the cutway, which suggested a heavier musical orientation, I don’t think this is a guitar for those who play blazing solos over metal riffs. It’s much more at home with crunchy rhythm sounds and bluesy double stops. Whether you like the relicing or not is up to you but this is a guitar that will find its fans for what it is, rather than what it tries to be.
Monday, August 10, 2009
REVIEW: ESP Michael Amott Ninja

CLICK HERE to find the ESP Michael Amott Ninja on eBay.
So. Arch Enemy. Featuring the hottest female singer in metal, at least since Poison stopped wearing makeup, the band’s other attention-grabbing focal point is the one-two guitar punch of guitarists Michael and Chris Amott. Also a member of legendary death metal band Carcass, Michael Amott’s style is rooted in the classic metal of the past but filtered through cybernetic precision. Dude also has pretty cool hair.
The ESP Michael Amott Ninja (Custom Shop model reviewed) is based on the classic Flying V design of the 50s. Many of the same specs are present here: set neck construction, a Gibson-esque and very bending-friendly 24.75 inch scale lenth, a pair of humbuckers, and a tune-o-matic style bridge mated to a stop tailpiece. But the Ninja, like its namesake mysterious assasin of the night, is mad, bad and dangerous to know. Gone are the smooth, rounded edges of the old design. In their place is a sharp, aggressive cut at the base of each of the V tips. The subdued dot inlays of the old design are quietly dispatched by a series of intricately inlaid ninja stars, which serve the dual purpose of helping you know where you are on the fretboard and also warning others to keep their dirty hands off your guitar – nobody messes with a ninja twice. The body is made of mahogany, and is surprisingly light considering its size. The pickguard is made of a mirrored material and, like pretty much everything else on the guitar, is accentuated by sharp angles.
The neck, also mahogany, is capped with a rosewood fretboard and 22 extra jumbo frets. The headstock is of the three tuners per side variety (in this case Sperzel brand tuners), with a sharp outline reminiscent of some kind of medeval weaponry. Basically, there is no edge of the Michael Amott Ninja that is safe for encroaching stage divers, and this is a guitar that means buisiness.
Electronics consist of a pair of Seymour Duncan humbuckers, a JB at the bridge and a 59 in the neck. Interestingly, the Ninja’s three way toggle switch feeds a volume control for each pickup, but there is no tone control. Personally I like this decision. A tone control usually functions as a treble rolloff, and even if it’s set to maximum treble in the ‘unused’ position it is still filtering the sound, resulting in the sapping away of a small amount of treble and gain. Removing it from the circuit completely allows any guitar to sound just that tiny bit more in your face, certainly an asset for the metal tones this guitar is designed for.
And what tones they are. The JB has long been used for metal, most notably by Dave Mustaine, who used it until quite recently until the release of his new Seymour Duncan signature Livewire pickup set, which includes an active bridge pickup based on the JB’s trademark tone. The basic sound of the Amott is a little bit like the Dave Mustaine DV8 due to their shared characteristics, but it sounds a little fatter and darker to my ears. High gain rhythms have an enormous amount of drive and cut, with an addictive thickness to the high midrange that just made me want to chug out midtempo riffs for hours.
The neck pickup sounds round and full, and is especially suited to those slow melodic minor melody lines and E Dorian solos. The tones reminded me a little of the classic sounds of Michael Schenker or Gary Moore, but much more metal.
One of the real surprises of the Amott Ninja is its playability. Despite its sharp looks and aggressive tones, it actually feels a little bit like a more conventional classic type of guitar rather than a modern thin-necked shred machine, and those who are a bit scared to step beyond the designs of the 50s would feel as at home on this axe as the metal bretheren would. It’s just as comfortable with box pattern pentatonics and power chords as it is with fretboard wandering arpeggios and thick chunky downtuned chords.
The ESP Michael Amott Ninja Signature guitar can handle any style you throw at it, its sharp looks and sharper attitude will definitely make you stand out on stage, and the mirror pickgard will allow you to either blind your audience or check your hairstyle with comfort and ease. The classic playability and modern tones will appeal to a wide variety of players, and the construction is absolutely faultless in every respect.
BODY: Mahogany.
NECK: Set neck, mahogany, rosewood fretboard, 22 frets, ninja inlays.
ELECTRONICS: Seymour Duncan JB bridge pickup; Seymour Duncan 59 neck pickup; 2 volume; pickup selector.
HARDWARE: Chrome; Sperzel locking tuners; TonePros locking bridge; Stop tailpiece.
Cool guitars they don't make any more
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Cool guitars they don't make any more 3
Thursday, July 2, 2009
NEWS: ESP and LTD release James Hetfield Truckster in black
From the ESP website:
AVAILABLE FALL 2009:
The new James Hetfield Truckster... now in black!
You ever notice that anything thatʼs cool is often made even cooler by making it more black? So, it should be no surprise that the James Hetfield Truckster is now for the first time being offered in a finish other than aged primer gray. And what color would that be? Black, of course!
Other than its new, even more menacing look, the new black Truckster offers the same high-performance feel and sound as was specified by James himself. Available in both ESP and LTD versions, the Truckster offers a set-neck design with a single-cutaway body at a comfortable 24.75” scale. The guitar has a mahogany body with maple top, a mahogany neck with rosewood fingerboard, and a 42mm bone nut on its thin u shaped neck. You get 22 XJ frets, satin chrome hardware, Sperzel locking tuners, Tonepros locking TOM and Tail, and EMG 81 (bridge) and 60 (neck) active pickups. The ESP version of the Truckster also includes Schaller straplocks.
You also get the same distressed finish that gives the guitar a look and feel like itʼs been worked in over years of playing. And, like we may have mentioned earlier, it looks even cooler with a bad-ass black finish. Check out the new black Truckster at your ESP/LTD dealer in Fall 2009!

Friday, June 5, 2009
NEWS: New ESP LTD models
LEC-1000FRSTBLK






Friday, April 17, 2009
MUSIKMESSE 2009: New LTD models
First up are LTD Okkultist and LTD Shadow models for the Guitarists of Dimmu Borgir.

Next is the LTD FL-600 Bass from Frédéric LeClercq of DragonForce.

Then there’s the monstrous LTD Hex-7 from Nergal of Behemoth, which I wrote about here.

Finally there are three new Graphic Series Models.

Kudos to Jon from Guitar Noize for bringing this to my attention via this article.
CLICK HERE to see ESP guitars on eBay.
Tuesday, April 14, 2009
FEATURE: Cool guitars they don't make anymore
Gibson M-III


Cool guitars they don't make any more 2
Cool guitars they don't make any more 3
Wednesday, April 8, 2009
NEWS: ESP unveils Nergal ESP

Nergal says "When ESP approached me about building my signature model, I was stoked! I’ve always been a fan of their instruments and I’m very grateful for giving me an opportunity to envision my idea of what a perfect 7 string guitar for extreme metal should look like! I already can’t wait to test this beast on our upcoming US summer tour with SLAYER and MARILYN MANSON!”
Nergal recently auctioned his very first Ibanez 7-string, a very beaten-up and well-loved RG7620, on eBay.
Behemoth has selected Colin Richardson (Machine Head, Slipknot, Napalm Death, Carcass) to mix their new album which is due later in the year. The CD is being now recorded in Radio Gdansk in Poland with Behemoth, Daniel Bergstrand and Woytek, and Slawek Wieslawscy as producers. Nergal says “I’m beyond excited about this new album. It’s not just the finest piece of music we’ve ever made, but it’s also the most mature tunes we’ve created without compromising our sound. I’m stoked about Colin Richardson involvement in the mix of the record. We’ve tried to book him for our last album, 'The Apostasy', but due to busy schedule he wasn’t available then. His name needs no introduction. I have absolutely no doubts that Colin will deliver and I’m expecting the new album to have the sound that’s bigger than life!”
Friday, March 6, 2009
FEATURE: 8 Is Enough… for now - Production 8-string guitars
Ibanez RG2228

basswood body, 5-piece maple/wenge neck w/rosewood fretboard,
24 jumbo frets
27” Scale
Gotoh Tuners
Edge III-8 fixed bridge,
2x EMG 808 pickups
CLICK HERE to see the Ibanez RG2228 on eBay.
ESP LTD FM-418

Neck-Thru-Body
Basswood Body, Maple Neck w/ Rosewood Fretboard
24 XJ Frets
25.5" Scale
Grover Tuners
Hipshot Fixed Bridge
EMG 808 pickups
CLICK HERE to see the ESP LTD FM-418 on eBay.
Schecter Hellraiser C-8

Manhgay body, Mahogany Neck w/Rosewood Fretboard
26.5” Scale
Schecter Locking Tuners
Hipshot Fixed Bridge
EMG 808 Pickups
CLICK HERE to see the Schecter Hellraiser C-8 on eBay.
Friday, January 30, 2009
NAMM 2009: Schecter 8-string

Ibanez RG2228
Sunday, January 25, 2009
NEWS: Glen Drover auctions 'Peace Sells' ESP

CLICK HERE to see the guitar or place a bid.
The listing reads:
This guitar was made for Glen Drover in 2005 and given to him by ESP guitars at the 2005 NAMM convention in California, for the ESP anniversary party. It was also used by Glen for all touring for 2005 and 2006 with Megadeth.
This is an "ESP" version of the LTD Deluxe M1000 and designed to Glen's specs.
Easily the most popular guitar from Glen Drover's collection used while in Megadeth.
Specs:
Set-Thru neck
25.5” Scale
Alder Body
Maple Neck
Rosewood Fingerboard
Locking Nut
43mm Neck Width
24 XJ Frets
Grover Tuners
Floyd Rose Bridge
Front cover "air brush" of the Megadeth album cover "Peace Sells, But Who's Buying" on front body and head stock. purple transparent finish on back of guitar.
Seymour Duncan pickups (distortion in bridge, 59 in neck position)
3 way toggle switch
1 volume control, 1 tone control pot.
Monday, January 19, 2009
NAMM 2009: What were your favourites?
If you wanna refresh your memory, you can see all my NAMM coverage by clicking THIS LINK.
Here are the things I'm most stoked about:
AMPS
Peavey 3120
Mesa Boogie Mark 5
Carvin Legacy II
EFFECTS
Ibanez Paul Gilbert Airplane Flanger
Eventide Pitch Factor
Vox Joe Satriani Big Bad Wah
New RJM switchers
GUITARS
ESP James Hetfield Iron Cross
Ibanez RG1527M maple-fretboard 7-string
Ibanez PGM100 reissue
EVH Wolfgang
By the way, anybody else notice that there was no big Dave Mustaine/Marshall announcement? Dave's been talking for months about a new signature Marshall product, and there are various rumours that it's either a variant of the JVM series head, a rackmountable JVM preamp, or even a new MIDI tube preamp to fill the gap left by the discontinued JMP-1. I've contacted Dave to see if he can shed any light on the story, and I'll report back if I hear from him.
Friday, January 16, 2009
NAMM 2009: New ESPs including Hetfield Iron Cross

Among the highlights for me are the two new Metallica models, the James Hetfield Iron Cross (pictured) and the Kirk Hammett Ouija Neck-Thru.
Other releases include new models for Alexi Laiho of Children of Bodom (dig the ‘Blacky’), the GL-200MT, which is an LTD version of the George Lynch ESP M-1 Tiger,
and some very cool distressed Page Hamilton 20th Anniversary ESP and LTD models.
There’s a lot more over at the Bmusic site so spend some time over there and if you have any questions, I’m sure they’ll be happy to help. They’re probably the most knowledgable ESP dealers in the world.
Sunday, January 11, 2009
REVIEW: Lynch Mob - Hi Fi Bar, Melbourne, December 10, 2008

I was fortunate to interview George a few months ago in preparation for Lynch Mob’s Australian tour. The current Mob line-up includes drummer Scot Coogan (Bridges of Destruction, Ace Frehley), bass legend Marco Mendoza (this dude is so charismatic he shows up David Coverdale on Whitesnake’s recent live DVD), and singer Oni Logan.
The first three tracks played were ‘She’s So Evil,’ ‘Hell Child’ and ‘Street Fighting Man’ from the first Lynch Mob album. Coogan has that rare ability to seem like he’s at the front of the stage even though he’s hidden away behind a drum kit, and his energy brought a powerful edge to the already riff-stomping Mob sound. George used his legendary J.Frog ESP (the one with the awesome carved skull and bones) for most of the set, although it was very cool to see him break out his ESP GL-57, which looks like a modified and bashed up Stratocaster. Amp-wise, he appeared to be using a Soldano SLO-100 and a Marshall Plexi, but the amps were turned towards the back wall (either for better isolation or because George wasn’t using his signature Randall amp, I’m not sure) so it was hard to tell. But his live tone was every bit as crunchy, clear and vocal as his studio work. Guitarists in the crowd, and I’m sure there were a lot of them, could learn a lot from the clarity of his tones, which are clean enough to remain punchy, but distorted enough to sound thick and edgy.
A particular highlight for guitar geeks such as myself was Lynch’s instrumental signature, ‘Mr Scary.’ The studio version included multiple overdubbed guitars, including a huge harmonized melody, so it was interesting to see how it translated to a single guitar, bass and drum interpretation. It came across more like an extended jam, with Mendoza covering a huge amount of ground while Lynch whipped across the guitar neck. When it was done, my ass was thoroughly kicked and somewhere my inner 14 year old was saying “Whoa…” Other Dokken tracks in the set were ‘Into The Fire’ and ‘Tooth And Nail.’
Finally, with ‘Wicked Sensation’ and a Scot Coogan stage dive as an encore, Lynch Mob were gone, but hopefully it won’t be too long before they return. With a new album on the way (the first with this particular line-up), I’d love to see them play a larger venue with a bigger stage to prowl upon.
CLICK HERE to buy the Randall MTS Series Lynch Box 100W amp head with modules
CLICK HERE to buy the ESP George Lynch M-1 Tiger electric guitar
CLICK HERE to buy George Lynch: The Lost Anthology on CD
Photo by Gabrielle Geiselman
Friday, January 9, 2009
NAMM 2009: Peavey NAMM schedule, including Devin Townsend appearance
Also of note is that Joe Satriani will be officially launching his new Peavey JSX amp. The one you can read about here.
Anyway, here’s the press release and schedule.
Legendary guitarist Joe Satriani will introduce his new signature Peavey JSX guitar amplifier during a special press conference during the NAMM (National Association Of Music Merchants) show on Friday, January 16, at 1 p.m., in the middle of the Peavey exhibit (5740) at the Anaheim Convention Center in Anaheim, California. Rock and Roll Hall of Famer Gary Rossington and metal legends Max Cavalera (SOULFLY, SEPULTURA), Alex Skolnick (TESTAMENT), David Ellefson (MEGADETH) and Greg Christian (TESTAMENT) are also slated to appear during the show.
Peavey NAMM artist schedule:
Friday, January 16:
* 11:00 a.m. - Rudy Sarzo (DIO, BLUE ÖYSTER CULT) autographs
* 12:00 p.m. - Max Cavalera (SOULFLY, CAVALERA CONSPIRACY) autographs
* 1:00 p.m. - Joe Satriani press conference, middle of booth
* 1:00 p.m. - Alex Skolnick and Greg Christian (TESTAMENT) autographs, rear of booth
* 3:00 p.m. - BLACK STONE CHERRY autographs
* 3:00 p.m. - Shagrath (DIMMU BORGIR, CHROME DIVISION) autographs, rear of booth
Saturday, January 17:
* 11:00 a.m. - David Ellefson (F5), Devin Townsend (STRAPPING YOUNG LAD) and Rudy Sarzo autographs
* 1:15 p.m. - Joe Satriani autographs
* 3:00 p.m. - Flynnville Station autographs, rear of booth
* 4:00 p.m. - Gary Rossington (LYNYRD SKYNYRD) autographs
Schedule subject to change; please visit exhibit to confirm dates and times
CLICK HERE to buy Devin Townsend albums on Amazon.com.
CLICK HERE to see Peavey JSX items on eBay.